Give Finished Footage a New Cast with Minimax H3 Recast
Upload your clip plus the faces you want; the performance, edits and soundtrack stay exactly as shot while Minimax H3 Recast changes who is on screen.
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Minimax H3 Recast

Swap the people in a clip you already cut with Minimax H3 Recast — upload portraits and keep every cut, camera move and audio track intact.

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Why Minimax H3 Recast Beats a Reshoot

Made for footage that is already finished, Minimax H3 Recast keeps everything that works in place and only changes who the audience sees on screen.

  • New leads for an edit that is already done
    Hand Minimax H3 Recast a video you already own plus a set of portraits, and it places those faces in the roles on screen instead of building new footage from nothing.
  • Each face stays tied to its role
    Arrange your portraits to match where every performer stands on screen, and that pairing survives each cut the sequence makes.
  • Your clip provides the performance
    Glances, pauses, facial detail, set lighting and the camera's path all remain as recorded; only the faces and the clothing arrive from the images you upload.

How Minimax H3 Recast Works in Three Steps

Take a clip that is already cut and give it a completely different cast in three quick steps with Minimax H3 Recast.

Core Capabilities of Minimax H3 Recast

The details that matter in a cast change: apart from the performers themselves, nothing in your clip is rebuilt or reimagined.

Up to four new faces, in screen order

Four uploads is the ceiling, and each one takes over a lead role in the order you set, holding that same person through every cut they appear in.

A prompt can reset the casting order

A written instruction reassigns who becomes whom, replacing the default screen-order mapping when your footage calls for a different match.

The acting is untouched, the faces are not

Nothing about the performance is regenerated: turns, beats, facial work, lighting and camera motion all come from your footage, while faces and garments are swapped in from your images.

Editing rhythm and audio stay as recorded

The pacing of the edit and the track underneath survive untouched, so you end up with a finished clip wearing a new cast rather than a from-scratch rebuild.

Low-resolution check, full-resolution delivery

A quick low-resolution pass lets you verify the match before paying for the full-resolution output; pricing tracks the length of your clip.

Hair and clothing come from your photo

When your upload frames more than just a face, the hairstyle and garments come with it — half-body framing transfers them more reliably than a tight head crop.

FAQ

Minimax H3 Recast: Questions Answered

Straight answers to what people ask before their first cast swap with Minimax H3 Recast.

1

What exactly does Minimax H3 Recast do?

It is a cast substitution rather than a generator: the portraits you supply take the place of the performers already inside your clip, while movement, framing, edits and audio are preserved from the source material.

2

How long should my source clip be?

Your clip needs to sit in the 5–30 second range, with each individual shot under 15 seconds; cut longer takes apart before uploading, since the result comes back at the same length you gave it.

3

How many performers can be replaced, and in which order?

Four people maximum, each needing its own portrait. By default the tool assigns them to the leads in screen order, so arrange your uploads to match; a written instruction can change that assignment.

4

Which reference photos give the best results?

Choose a single crisp, well-lit, forward-facing portrait for each person. Half-body framing transfers hair and garments more faithfully than a close crop of the head; leave out sunglasses, hats, obscured faces, group shots and heavily filtered or blurry images.

5

Is it better to start at 768p or go straight to 1080p?

Do a low-resolution pass first to verify the pairing, then produce the deliverable in 1080p. Because pricing tracks clip length, that first pass is the inexpensive way to catch a bad match.

6

When is Minimax H3 Recast the wrong choice?

It is the wrong tool when the footage itself has to change — different movement, different camera work, a different location — because those come entirely from your source. Results also weaken with dense crowds, faces that are tiny or far away, rapid movement, and objects blocking the face after a hard cut; over long takes or when someone turns to profile, the likeness may slip back toward the original performer.

Put Minimax H3 Recast to Work on Fuser

Give a finished, already-scored clip a fresh set of faces while the pacing, camera work and sound you recorded stay exactly where they are.